Peggy phelan unmarked the politics of performance pdf

Peggy phelan unmarked the politics of performance pdf
Phelan, Peggy (1993) Unmarked: The Politics of Performance. London: Routledge. Schechner, Richard (1995) ‘Transforming Theatre Departments’, TDR: a journal of performance studies 39(2): 7–10. Peggy Phelan is The Ann O’Day Maples Chair in the Arts at Stanford University. She is the author of Unmarked: The Politics of Performance (Routledge, 1993), Mourning Sex: Performing Public
Peggy Phelan (born April 23, 1959) is an American feminist scholar. She is one of the founders of Performance Studies International, the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanford’s Theatre and Performance Studies Department (then called the Drama Department) from 2007-2011, and continues
In 1993 Peggy Phelan wrote that ‘Performance’s only life is in the present’; that it ‘cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so it becomes something other than performance’.1 For Phelan, a work of performance art only exists as long as the exact duration of its staging. Repeat performances
“Unmarked: The Politics of Performance”. Book by Ann O’Day Maples Professor of the Arts/Professor of English Peggy Phelan, Peggy Phelan, 1993. Book by Ann O’Day Maples Professor of the Arts/Professor of English Peggy Phelan, Peggy Phelan, 1993.
7/01/1993 · Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts
7/01/1993 · Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film
“Unmarked” is a controversial study of the politics of performance, examining the fraught relationship between political and representational visibility and invisibility within both mainstream and avant-garde art. Suggesting that there may be some political power in an active disappearance from the visual field, Phelan looks carefully at examples of such absences in various visual mediums
Having worked in the Department of Performance Studies, Tisch School of the Arts, New York University, from 1985 to 2002, Peggy Phelan is now the Ann …
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film, theatre and anti-abortion demonstrations.
Unmarked: The Politics of Performance – Peggy Phelan – Google Books My library Help Advanced Book Search. Maybe even more than any other literary genres, theatre’s very existence is dependent on the process of re-reading repetition with a difference Re-read for another class on visuality and violence.
Peggy Phelan is chair of the Department of Performance Studies at New York University. She is the author of Unmarked: The Politics of Performance and …
liveness debate launched with the seminal contributions by Peggy Phelan’s 1993 book Unmarked: The Politics of Performance, and Philip Auslander’s 1999 study Liveness: Performance in …
Peggy Phelan Post Structural Ism – Download as PDF File (.pdf), Text File (.txt) or read online. Scribd is the world’s largest social reading and publishing site. Search Search
Acting Out: Feminist Performances ed. by Lynda Hart and Peggy Phelan (review) Susan L. Cocalis Modern Drama, Volume 38, Number 4, Winter 1995, pp. 530-532 (Review)

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unmarked review vchenko univie, free peggy phelan unmarked the politics of performance pdf, peggy phelan unmarked the politics of performance epub, performing archives archives of performance edited by, liveness phelan auslander and after by daniel meyer, liveness phelan auslander and after project muse, georges bizet carmen susan mcclary unmarked the, mourning sex phelan peggy pdf …
I favoured Peggy Phelan’s book_The Unmarked: The Politics of Performance_ to a great extend because it seems to me to steer a delicate course around the question of the liveliness of performance, and to create a sense that the look is to be released from its points of fixation.
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film, theatre
Phelan has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. These essays have been cited in the fields of architecture, art history, psychoanalytic criticism, visual culture, performance studies, theater studies, and film and video studies. She has edited special issues of the journals Narrative and Women and
Acting Out Feminist Performances ed. by Lynda Hart and
Performing Archives/ Archives of Performance is a comprehensive, interdisciplinary, critical and creative anthology examining the relationship between changing conceptions of the archive and
Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film and theatre. “synopsis” may belong to another edition of this title. Feminist film theory has made
Peggy Phelan’s wiki: Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [2] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanfor…
Peggy Phelan Page start 146 Page end 166 Is part of Book Title Unmarked: the politics of performance Author(s) Peggy Phelan Date 1993 Publisher Routledge Pub place London, New York ISBN-10 0415068215, 0415068223 ISBN-13 9780415068215, 9780415068222. This item appears on. List: Body / Politics: Performance Art Since 1960 Section: Required Reading Next: The Performativity of Performance
Unmarked: the politics of performance Phelan, Peggy Unmarkedis a controversial analysis of the fraught relation between political and representational visibility in contemporary culture.
Peggy Phelan. 94 likes. Peggy Phelan is an American feminist scholar. She is one of the founders of Performance Studies International, the former chair… Peggy Phelan is an American feminist scholar.
Peggy Phelan is chair of the Department of Performance Studies at New York University. She is the author of “Unmarked: The Politics of Performance and Mourning Sex: Performing Public Memories”.
Unmarked: the politics of performance Phelan, Peggy Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film and theatre.
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Peggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); …
Read “Unmarked The Politics of Performance” by Peggy Phelan with Rakuten Kobo. Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contem…
Through a feminist poetic and psychoanalytic examination of texts drawn from photography, painting, film, theatre and political action, Peggy Phelan defines a theory of value for subject matter conventionally excluded from critical consideration through its representational invisibility.
Unmarked : the politics of performance. [Peggy Phelan] Home. WorldCat Home About WorldCat Help. Search . Search for Library Items Search for Lists Search for Contacts Search for a Library
pdf. Unmarked – The Politics of Performance. 220 Pages. Unmarked – The Politics of Performance. Uploaded by. Saide Elif Ozkorkmaz. Download with Google Download with Facebook or download with email. Unmarked – The Politics of Performance . Download. Unmarked – The Politics of Performance. Uploaded by. Saide Elif Ozkorkmaz
Performance in music exists beyond mere being, beyond a singular present (Phelan, p. 146); rather performance in music seems more aptly explored in becoming (Allport, 1955). Music in an a/r
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Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [1] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanford’s Theatre and Performance …
Peggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts
Unmarked: The Politics of Performance by Phelan, Peggy and a great selection of related books, art and collectibles available now at AbeBooks.com.
Angelika Festa, You Are Obsessive, Eat Something, 1984 “[W]earing a mirror mask, a black, vaguely antiquarian dress, with hands and feet painted white, she holds a white bowl of fruit and stands on the side of a country road.
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Unmarked Unmarked The Politics of Performance Peggy Phelan London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor
Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – …
Unmarked The Politics of Performance Peggy Phelan Eì London and New York lhe 7 ontology of performance 147 when Calle places these commentaries within the
Detail – Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film, theatre and anti-abortion demonstrations.

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Peggy Phelan Post Structural Ism Feminism Ethnicity

Performance in music exists beyond mere being, beyond a singular present (Phelan, p. 146); rather performance in music seems more aptly explored in becoming (Allport, 1955). Music in an a/r
Phelan has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. These essays have been cited in the fields of architecture, art history, psychoanalytic criticism, visual culture, performance studies, theater studies, and film and video studies. She has edited special issues of the journals Narrative and Women and
Peggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic
Unmarked: the politics of performance Phelan, Peggy Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film and theatre.
unmarked review vchenko univie, free peggy phelan unmarked the politics of performance pdf, peggy phelan unmarked the politics of performance epub, performing archives archives of performance edited by, liveness phelan auslander and after by daniel meyer, liveness phelan auslander and after project muse, georges bizet carmen susan mcclary unmarked the, mourning sex phelan peggy pdf …
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts
Peggy Phelan Unmarked The Politics Of Performance [FREE] Peggy Phelan Unmarked The Politics Of Performance Book Unmarked The Politics of Performance Peggy Phelan November 15th, 2018 – Unmarked The Politics of Performance Peggy Phelan on Amazon com FREE shipping on qualifying offers Unmarked is a controversial analysis of the fraught Performance — …
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Peggy Phelan’s wiki: Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [2] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanfor…
Peggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic
In 1993 Peggy Phelan wrote that ‘Performance’s only life is in the present’; that it ‘cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so it becomes something other than performance’.1 For Phelan, a work of performance art only exists as long as the exact duration of its staging. Repeat performances
7/01/1993 · Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film
Peggy Phelan. 94 likes. Peggy Phelan is an American feminist scholar. She is one of the founders of Performance Studies International, the former chair… Peggy Phelan is an American feminist scholar.
Angelika Festa, You Are Obsessive, Eat Something, 1984 “[W]earing a mirror mask, a black, vaguely antiquarian dress, with hands and feet painted white, she holds a white bowl of fruit and stands on the side of a country road.

Unmarked Ontology of Performance by Peggy Phelan PDF
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Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – …
Having worked in the Department of Performance Studies, Tisch School of the Arts, New York University, from 1985 to 2002, Peggy Phelan is now the Ann …
“Unmarked” is a controversial study of the politics of performance, examining the fraught relationship between political and representational visibility and invisibility within both mainstream and avant-garde art. Suggesting that there may be some political power in an active disappearance from the visual field, Phelan looks carefully at examples of such absences in various visual mediums
Unmarked: The Politics of Performance by Phelan, Peggy and a great selection of related books, art and collectibles available now at AbeBooks.com.
Peggy Phelan is chair of the Department of Performance Studies at New York University. She is the author of “Unmarked: The Politics of Performance and Mourning Sex: Performing Public Memories”.
Peggy Phelan (born April 23, 1959) is an American feminist scholar. She is one of the founders of Performance Studies International, the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanford’s Theatre and Performance Studies Department (then called the Drama Department) from 2007-2011, and continues
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film, theatre
Unmarked Unmarked The Politics of Performance Peggy Phelan London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor
Get this from a library! Unmarked : the politics of performance. [Peggy Phelan] — Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film
Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [1] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanford’s Theatre and Performance …

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Unmarked The Politics of Performance Amazon.co.uk Peggy

Unmarked: The Politics of Performance by Phelan, Peggy and a great selection of related books, art and collectibles available now at AbeBooks.com.
Through a feminist poetic and psychoanalytic examination of texts drawn from photography, painting, film, theatre and political action, Peggy Phelan defines a theory of value for subject matter conventionally excluded from critical consideration through its representational invisibility.
Phelan has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. These essays have been cited in the fields of architecture, art history, psychoanalytic criticism, visual culture, performance studies, theater studies, and film and video studies. She has edited special issues of the journals Narrative and Women and
PEGGY PHELAN UNMARKED THE POLITICS OF PERFORMANCE PDF – 9 Mar Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written.
Get this from a library! Unmarked : the politics of performance. [Peggy Phelan] — Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film
Angelika Festa, You Are Obsessive, Eat Something, 1984 “[W]earing a mirror mask, a black, vaguely antiquarian dress, with hands and feet painted white, she holds a white bowl of fruit and stands on the side of a country road.
I favoured Peggy Phelan’s book_The Unmarked: The Politics of Performance_ to a great extend because it seems to me to steer a delicate course around the question of the liveliness of performance, and to create a sense that the look is to be released from its points of fixation.
Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [1] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanford’s Theatre and Performance …
Peggy Phelan Post Structural Ism – Download as PDF File (.pdf), Text File (.txt) or read online. Scribd is the world’s largest social reading and publishing site. Search Search
Having worked in the Department of Performance Studies, Tisch School of the Arts, New York University, from 1985 to 2002, Peggy Phelan is now the Ann …
Unmarked: The Politics of Performance – Peggy Phelan – Google Books My library Help Advanced Book Search. Maybe even more than any other literary genres, theatre’s very existence is dependent on the process of re-reading repetition with a difference Re-read for another class on visuality and violence.

Unmarked Peggy Phelan 9780415068222 – Book Depository
Unmarked eBook by Peggy Phelan kobo.com

Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film and theatre. “synopsis” may belong to another edition of this title. Feminist film theory has made
Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – …
7/01/1993 · Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts
unmarked review vchenko univie, free peggy phelan unmarked the politics of performance pdf, peggy phelan unmarked the politics of performance epub, performing archives archives of performance edited by, liveness phelan auslander and after by daniel meyer, liveness phelan auslander and after project muse, georges bizet carmen susan mcclary unmarked the, mourning sex phelan peggy pdf …
Peggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic
Peggy Phelan is chair of the Department of Performance Studies at New York University. She is the author of “Unmarked: The Politics of Performance and Mourning Sex: Performing Public Memories”.
Peggy Phelan (born April 23, 1959) is an American feminist scholar. She is one of the founders of Performance Studies International, the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanford’s Theatre and Performance Studies Department (then called the Drama Department) from 2007-2011, and continues
Acting Out: Feminist Performances ed. by Lynda Hart and Peggy Phelan (review) Susan L. Cocalis Modern Drama, Volume 38, Number 4, Winter 1995, pp. 530-532 (Review)
I favoured Peggy Phelan’s book_The Unmarked: The Politics of Performance_ to a great extend because it seems to me to steer a delicate course around the question of the liveliness of performance, and to create a sense that the look is to be released from its points of fixation.
Unmarked Unmarked The Politics of Performance Peggy Phelan London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor
Search Peggy Phelan Unmarked The Politics Of Performance PDF window or a Find toolbar. While primary While primary function talk to by the two options is just about the same, there are adaptations in the scope of the search seek
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – including photography, painting, film, theatre and anti-abortion demonstrations.
Performance in music exists beyond mere being, beyond a singular present (Phelan, p. 146); rather performance in music seems more aptly explored in becoming (Allport, 1955). Music in an a/r

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Phelan, Peggy (1993) Unmarked: The Politics of Performance. London: Routledge. Schechner, Richard (1995) ‘Transforming Theatre Departments’, TDR: a journal of performance studies 39(2): 7–10. Peggy Phelan is The Ann O’Day Maples Chair in the Arts at Stanford University. She is the author of Unmarked: The Politics of Performance (Routledge, 1993), Mourning Sex: Performing Public
Peggy Phelan. 94 likes. Peggy Phelan is an American feminist scholar. She is one of the founders of Performance Studies International, the former chair… Peggy Phelan is an American feminist scholar.
Phelan has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. These essays have been cited in the fields of architecture, art history, psychoanalytic criticism, visual culture, performance studies, theater studies, and film and video studies. She has edited special issues of the journals Narrative and Women and
Performing Archives/ Archives of Performance is a comprehensive, interdisciplinary, critical and creative anthology examining the relationship between changing conceptions of the archive and
Unmarked: The Politics of Performance by Phelan, Peggy and a great selection of related books, art and collectibles available now at AbeBooks.com.
Unmarked The Politics of Performance Peggy Phelan Eì London and New York lhe 7 ontology of performance 147 when Calle places these commentaries within the
In 1993 Peggy Phelan wrote that ‘Performance’s only life is in the present’; that it ‘cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so it becomes something other than performance’.1 For Phelan, a work of performance art only exists as long as the exact duration of its staging. Repeat performances
Through a feminist poetic and psychoanalytic examination of texts drawn from photography, painting, film, theatre and political action, Peggy Phelan defines a theory of value for subject matter conventionally excluded from critical consideration through its representational invisibility.
Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts – …
Peggy Phelan is chair of the Department of Performance Studies at New York University. She is the author of Unmarked: The Politics of Performance and …
Peggy Phelan’s wiki: Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [2] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanfor…

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  16. Angelika Festa, You Are Obsessive, Eat Something, 1984 “[W]earing a mirror mask, a black, vaguely antiquarian dress, with hands and feet painted white, she holds a white bowl of fruit and stands on the side of a country road.

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  18. “Unmarked” is a controversial study of the politics of performance, examining the fraught relationship between political and representational visibility and invisibility within both mainstream and avant-garde art. Suggesting that there may be some political power in an active disappearance from the visual field, Phelan looks carefully at examples of such absences in various visual mediums

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  20. Peggy Phelan is chair of the Department of Performance Studies at New York University. She is the author of “Unmarked: The Politics of Performance and Mourning Sex: Performing Public Memories”.

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  36. Peggy Phelan’s wiki: Peggy Phelan (born June 12, 1948) is an American feminist scholar. She is one of the founders of Performance Studies International, [2] the former chair of New York University’s Department of Performance Studies from 1993 to 1996, Stanfor…

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  37. I favoured Peggy Phelan’s book_The Unmarked: The Politics of Performance_ to a great extend because it seems to me to steer a delicate course around the question of the liveliness of performance, and to create a sense that the look is to be released from its points of fixation.

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  41. Unmarked: The Politics of Performance – Peggy Phelan – Google Books My library Help Advanced Book Search. Maybe even more than any other literary genres, theatre’s very existence is dependent on the process of re-reading repetition with a difference Re-read for another class on visuality and violence.

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  46. Performance in music exists beyond mere being, beyond a singular present (Phelan, p. 146); rather performance in music seems more aptly explored in becoming (Allport, 1955). Music in an a/r

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  48. Through a feminist poetic and psychoanalytic examination of texts drawn from photography, painting, film, theatre and political action, Peggy Phelan defines a theory of value for subject matter conventionally excluded from critical consideration through its representational invisibility.

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  49. Unmarked Unmarked The Politics of Performance Peggy Phelan London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor

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  51. Peggy Phelan Page start 146 Page end 166 Is part of Book Title Unmarked: the politics of performance Author(s) Peggy Phelan Date 1993 Publisher Routledge Pub place London, New York ISBN-10 0415068215, 0415068223 ISBN-13 9780415068215, 9780415068222. This item appears on. List: Body / Politics: Performance Art Since 1960 Section: Required Reading Next: The Performativity of Performance

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  61. In 1993 Peggy Phelan wrote that ‘Performance’s only life is in the present’; that it ‘cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so it becomes something other than performance’.1 For Phelan, a work of performance art only exists as long as the exact duration of its staging. Repeat performances

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  66. Phelan, Peggy (1993) Unmarked: The Politics of Performance. London: Routledge. Schechner, Richard (1995) ‘Transforming Theatre Departments’, TDR: a journal of performance studies 39(2): 7–10. Peggy Phelan is The Ann O’Day Maples Chair in the Arts at Stanford University. She is the author of Unmarked: The Politics of Performance (Routledge, 1993), Mourning Sex: Performing Public

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